I selected five songs.

One was about the night shifts, one about Mom’s kitchen, one about finding the repaired guitar, and two were simply songs I’d written because melodies had come to me.

I called the collection Rooms With the Lights On.

We mixed the tracks slowly, revising what needed revision and leaving a few imperfect edges intact.

When the final master was ready, I listened from beginning to end while sitting where Dad had recorded his apology.

The music held pain.