The second drawing was a picture of a place, and a self.

STERLING FLIGHT ACADEMY, RUNWAY 18 LEFT — no hero in it at all, no father, no one to believe in but the airfield and the wind and the boy’s own developing competence.

Between those two drawings, my son had undergone the deepest transformation a wounded child can undergo: he had moved the center of his world from outside himself to inside.

At seven, his sense of who he was had depended on his father — on being the son of the best pilot ever, on a love that could be taken away.