I found the evidence: red thread on the laundry room floor, a needle magnet on grandmother’s old Singer, a library book on pattern grading with coffee rings.

When I finally sat with him, he showed me Lily’s original dress, opened along the side seams like a map.

“I didn’t want to erase it,” he said.

“I wanted to continue it.”

He had added panels of new silk where a five-year-old’s body ended and an eighteen-year-old’s began.

He kept the original bodice as a lining against his chest.