Three faces instead of one.

A comparison instead of a single definitive image.

A story about what we can know and what we cannot, rather than a story about what we have found.

This is a richer story, and it is a more honest one.

It is also, potentially, a more compelling one — because the process of trying to recover the appearance of a 45,000-year-old woman, and the limitations that constrain that attempt, are genuinely dramatic in the original sense of the word.

The drama is in the effort, the uncertainty, the partial knowledge, the humility in the face of the past.