And what I heard was that the warmth had a floor, and beneath the floor was something else, something that emerged the instant her control of the situation was threatened.

That is the thing about a performance: it holds beautifully as long as everything goes to plan, and it shows its seams the moment it doesn’t.

I had spent two years watching Vivienne when everything went to plan.

It took ten seconds of watching her when something didn’t for the whole thing to start coming apart in front of me.

The soft voice was the costume.