Six sacrificed animals, each in full harness, each killed for this specific purpose.

The investment required — in terms of the animals’ economic value, the harnesses’ material cost, the labor of the burial preparation — was substantial.

Whatever else the Ice Maiden was, she was someone for whom this investment was considered appropriate.

The Animal Style As A Spiritual Language

The animal-style art that saturates the Ice Maiden’s burial — on her skin, on her coffin, on the horses’ harnesses, on the portable objects placed with her — is not decoration in the sense of ornament applied to neutral surfaces.

It is a language.