In the specific literary tradition of the French Renaissance and its successors, the sixty-seventh tale of the Heptaméron influenced subsequent writers who were working with similar material.

The figure of the woman abandoned and surviving — finding within herself resources that the world that abandoned her did not know she had — appears in various forms across the literary tradition of the following centuries.

But the specific story of Marguerite de la Rocque is not simply one instance of a recurring pattern.

It is a documented historical event, which gives it a weight that purely fictional treatments of similar themes do not have.

The woman on the island was real.