Six months later, the afternoon sun came through the wide windows of my new interior design studio in downtown Boston, and the whole place smelled of fresh lilies and polished wood and good coffee.

My son — Theo, six months old now, round-cheeked and serious — was asleep in a soft crib in the corner of my office, where I could see him from my desk.

I had gone back to a version of the career I’d given up, but not the old one.

Forensic accounting had saved me, and I would always be grateful to it, but it was not, in the end, what I wanted my days to be made of.

I wanted to make spaces beautiful.