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Child star Mara Wilson, 37, left Hollywood after ‘Matilda’ because she felt she was no longer considered “cute”

In the early 1990s, Mara Wilson won the hearts of audiences around the world with her performances in iconic family films such as *Mrs. Doubtfire* and *Miracle on 34th Street*. 

At 37, Wilson reflects on her early success but explains that as she got older, her “cuteness” faded and she began to fade from the spotlight. “I got tired of Hollywood,” he admits. “If you’re not cute anymore, if you’re not beautiful, then you’re considered worthless.”

Wilson’s big break came at just five years old when she starred as Robin Williams’ youngest daughter in the comedy *Mrs. Doubtfire*. She appeared in a few commercials before her role in the film, but landing this role marked the beginning of her rise in Hollywood.

“My parents were proud, but they always kept me grounded,” she recalls. “If I ever said something like: I’m the best!” my mom reminded me, ‘You’re just an actor, you’re just a kid.’ 

After making her film debut, Wilson starred in *Miracle on 34th Street* in 1994, taking over the role of Susan Walker, originally played by Natalie Wood in 1947. In an essay for *The Guardian*, she recalls her audition: read my lines and I told them I didn’t believe in Santa Claus, but I did believe in the Tooth Fairy, and I named her Sally Field.”

In 1996, Wilson starred as Matilda in the popular film based on the book by Roald Dahl opposite Danny DeVito and his wife Rhea Perlman. However, she experienced personal tragedy that same year when her mother, Suzie, died after a battle with breast cancer. Wilson describes her grief: “I didn’t really know who I was anymore. There was who I was before and who I was after.” The loss of her mother affected her deeply and she admits, “Most of the time I just wanted to be a normal kid, especially when my mom died.”

Despite her fame, Wilson reveals she was the “unhappiest” during her rise to fame. When she was 11, she reluctantly accepted her last major role in *Thomas and the Magic Railroad* (2000). “At 11 years old, I reacted viscerally to the script…Ugh, I thought. How cute,” she admits.

However, her departure from Hollywood was not entirely her own decision. As she entered puberty, she outgrew the “cute” image that Hollywood had previously adopted. She remembers being “just another weird, goofy, loud girl with bad teeth and bad hair, whose bra strap was always visible.” At 13, she says, “Nobody called me cute anymore, at least not in a positive way.”

The pressures of growing up in the public eye and changing standards of beauty had a significant impact on her. “In Hollywood, if you’re not cute anymore if you’re not beautiful, then you’re worthless,” she says, linking the decline of her career to these shallow ideals. Even though she felt burned out and tired of Hollywood, the rejection still stung.

Today, Wilson has moved away from acting and is now a writer. In 2016, she published her first book *Where am I now? True stories of girls and accidental fame*. The book explores everything from her experiences on *Melrose Place* to her struggles with realizing she’s no longer “cute” enough for Hollywood. Her writing follows her journey from unexpected fame to a calmer and happier life.

She also wrote *Good Girls Don’t*, a biography about her life as a child star and the pressure to live up to others’ expectations. Wilson reflects on her career: “Being cute made me miserable. I always thought I’d be the one to end up acting, not the other way around.”

Mary Wilson’s story is one of self-discovery, resilience, and embracing life outside the limelight. What do you think of Mary Wilson’s journey? Share your views and share this story with others.

Mary Wilson’s journey is an impressive reflection of the pressures that come with early fame, especially for a child star. Her experience underscores the gritty, superficial nature of Hollywood, where a young actor’s value is often tied to looks rather than talent or character. Her rise to fame, marked by iconic roles in *Mrs. Doubtfire*, *Miracle on 34th Street* and *Matilda* were tempered by deep personal loss and the struggle of coming of age in the public eye. As Wilson transitioned from a “cute” child star to a more mature young adult, the industry’s inability to see beyond her childish image led to her retirement from acting. The shift is a powerful commentary on how society—especially Hollywood—often overlooks the complexity and humanity of women once they no longer conform to conventional beauty standards.

Her decision to leave acting and pursue writing allowed Wilson to reclaim her narrative and find peace from the public scrutiny she once endured. Through her books and reflections, she shares her personal journey of reinvention and offers insights into the loneliness, confusion, and resilience that can come with being thrust into the spotlight at a young age. Wilson’s story serves as a reminder that behind every public figure is a person who, like anyone else, has their own set of challenges, aspirations, and struggles. Today, she is a paragon of self-empowerment, using her voice to challenge the norms that once sought to define her, and embracing a life that prioritizes authenticity over fame.

Ultimately, Mary Wilson’s journey is not only one of loss and hardship but also one of growth and self-empowerment. She broke new ground and showed that there is life beyond Hollywood expectations. Her story resonates with many, especially those who have struggled with the pressure to fit into an image or role imposed on them by others. It’s a powerful testament to the importance of reclaiming your identity and finding fulfillment on your own terms.

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