The story of Victor Fiorillo’s visit to an Old Philadelphia bar in the heart of the City of Brotherly Love paints a vivid picture of a moment that captures both the deep-seated patriotism and controversy that can arise at the intersection of personal beliefs and public space. When Fiorillo entered the historic establishment, he was met with a sign etched into the window with a clear message: “If you’re not proud to be an American, don’t bother coming in.” This declaration set the stage for an evening that would encompass both camaraderie and conflict, illustrating the complexities of identity, values, and community.
Victor Fiorillo decided to visit the Old Philadelphia bar in the city of Brotherly Love when he went out for a drink at night. He was in the mood for a beer and good company, but the sign carved on the window made him think. Nevertheless, he entered and exercised his right to free speech by buying beer. At that moment the man raised his voice so that everyone in the pub could hear him.
He was heading for the jukebox. He announced that he was a former firefighter and that he was Mexican before inserting a coin and playing music over the speakers. He then laughed and said the previous statement was “just a joke”. He then paid for the music and chose “God Bless the USA” by Lee Greenwood from 1984. Every customer in the bar started singing along as the song started and the chorus came over the speakers.
I am also glad to be an American because I know I am free and I will never forget the men who lost their lives.
There is no doubt that I adore our country; God bless the USA. Whoever gave me the right to do this, I will gladly stand with you and defend her today.
Bar tries to keep the conviction of the song. Victor Fiorillo entered the building and immediately noticed the sign that was etched on the front.
“Don’t bother coming if you’re not proud to be an American.”
For many years, the tavern has been a mainstay in the Philadelphia neighborhood. But the classic bar has a new addition in the form of this inscription. They simply want passers-by to realize that they will be welcomed inside with patriotic cheers.
The bar retains even more traditional touches from the good old days, such as affordable $1.50 pints of domestic beer. If it’s a televised athletic event, you can get a drink for just $1.
The bar prides itself on not catering to hipsters. It focuses on “real men”, not yuppies and working professionals who quickly infiltrate the area and destroy everything in their path.
According to one Google review, it’s not overrun with hipster nerds. Even if you run into some hipster McDouchebags, they are aware enough to keep their utter ignorance to themselves.
A passerby who saw the sign on the door took a picture and posted it to the Philadelphia Facebook page. Outrage came next. It was hard for people to understand that this bar supported such ideals.
If it’s not white men, the locals are even afraid to enter the bar. A Fairmount resident who knows the “Old Philly” pub claimed she wouldn’t visit it because her lover is an Indian man with a beard.
She told Victor Fiorillo, “I wouldn’t go there.” Usually no problem. Sometimes it is not okay in some locations. The sign also makes it clear.”
The bar manager doesn’t seem to understand the fuss. Fiorillo got advice from the bartender: “If you’re in this county, you should be proud to be an American.”
In a diverse and multicultural society, finding common ground can be challenging. The story of the Old Philadelphia Bar invites you to think about the delicate balance between promoting your own values ​​and creating a welcoming environment. It raises questions about the role of businesses in shaping cultural norms, the limits of humor, and the inclusiveness of public space. Ultimately, the sign on the door serves as a powerful reminder that any action, even in a seemingly small and local context, can spark a conversation that reverberates far beyond its immediate surroundings.
What do you think the sign says?