It’s only been a few days since one of King Charles’s paintings caused a similar reaction.
A few days after the publication of the split image of King Charles III. A new photo of the Princess of Wales has caused strong feelings.
The cover of Tatler magazine’s July 2024 issue featuring the former Kate Middleton by British-Zambian artist Hannah Uzor – “part mother-of-three” – has leaked on social media.
The third-year tattoo cover photo is this one.
In previous years, works of art by King Charles III were on display. And Queen Elizabeth I.
The image shows Kate in a white floor-length dress and cape with a blue train and necklace in the foreground against a blue gradient background.
With her hair pulled low and a headband, her hands are folded against her.
She appears to be wearing the same outfit she wore to King Charles’s inaugural state dinner.
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Many people commented on social media that the portrait did not look like a princess, among other comments, the picture was drawn by him.
One commenter said: “What a terrible portrait for a beautiful woman.”
“This is not HRH,” another person wrote. Princess of Wales It’s not HRH, but God knows who it is.”
“This doesn’t look like her at all,” commented another.
One user said: “I really respect the artist but I don’t see Catherine here either.”
Still, the couple seemed to catch the vision.
Three red heart emoticons were used to express “I like it” by one person.
“That’s beautiful,” said another person.
Tatler Magazine and Uzor were contacted by TODAY.com, but no comment was received at the time of publication.
What is the message of Kate’s portrait?
Uzor’s artistic approach is influenced by her interest in history, specifically about diasporic culture and its manifestations in private and public memory, as she states on her website.
Her 2020 portrait series highlighted individuals from the African diaspora who have historically contributed to England.
“She elevated herself to her work,” the artist said of Kate Tatler. It was her calling from birth. Her demeanor exudes beauty, elegance, and nobility.”
“Without a doubt,” according to Uzor, watching Kate’s video, in which she revealed that her cancer treatment affected her image.
“All my portraits are layers of personality, created from whatever I find about them,” Uzor told Tatler.
The “green-blue” shade of the background was influenced by Kate’s eye color, “as well as trying to capture the elements of being in the garden and on the water.” She said one of Kate’s favorite sports was rowing.
British-Zambian artist Hannah Uzor’s portrait of the Princess of Wales has sparked strong reactions, both positive and negative, from the public. While some viewers admire the artist’s rendering and note the beauty and grace it captures, others feel that the portrait fails to accurately depict Kate Middleton. Influenced by her interest in history and diasporic culture, Uzor’s approach emphasizes a deeper connection to Kate’s personal experiences and public image. The artist intended to capture the layers of Kate’s personality, intertwining her elegance with the subtleties of her life, such as her love of rowing and the impact of her public battles, including the revelation that she had undergone cancer treatment.
Despite the mixed reactions, Uzor’s portrait invites viewers to look beyond the likeness and encourages them to appreciate the symbolic and emotional depth she was trying to convey. By incorporating elements that resonate with Kate’s personal and public life, Uzor sought to create a piece that reflects the complexity and resilience of the Princess of Wales. The conflicting views on portraiture underscore the subjective nature of art, where beauty and representation are often in the eye of the beholder.