In eight months, not once had either of them asked the father’s name.

They had not asked because the answer was irrelevant to the story they had already chosen.

Adele had learned, watching them, that this was how her family had always operated: they did not gather facts and then form a view; they formed the view first, and then declined every fact that threatened it.

She had grown up inside that machine.

She was the daughter who noticed things — the second set of books that didn’t match the first, the vendors no one could name, the layoffs announced in the same quarter as the executive bonuses.

And she had learned, young, that noticing was dangerous in the Rutherford family, that the people who noticed were called sentimental, or naive, or difficult, and were slowly moved to the edges of things.