I was about to step out of it for good.

I want to name that machinery precisely, because it is the most insidious part of families like mine, far more insidious than the open cruelty, and because I think a great many people are trapped inside it without ever having the words for it.

The open cruelty — the poured wine, the microphone insult — is at least visible; anyone can see it and name it.

The machinery is invisible, and it does something far more corrosive: it relocates the offense.