But the drawing was not about Luca, not really.

It was about Leo — about the pure, whole heart my son had, the capacity for adoration and hope and love that was his and not his father’s.

I folded it, and I kept it, because it was proof of who my son was, and that was a thing I intended to protect, no matter what his father turned out to be.

I made another decision that day, in the car, that I want to record, because it was harder than keeping the drawing and mattered more.